"Despair not in this vale of pain - Organ" Sheet Music by Robert Schumann

Despair not in this vale of pain - Organ
Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ Despair not in this vale of pain - Organ

$17.99 USD 
Scored For: Men's Choir (ttbb/ttbb); Organ Ad Libitum
Composers: Robert Schumann
Pages: 36
This product does NOT support transposition or digital playback
SKU: 494023
Publisher: Schott Music
Grade Level: Intermediate - Advanced What's this?
Series: Edition Schott
Publisher ID: Q50149

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At first described as 'religious song' by Schumann, the motet 'Verzweifle nicht' could be heard with organ accompaniment for the first time on 4 July 1850 on the occasion of the 25th anniversary of the University's choral society St. Pauli in Leipzig. He wrote the organ version specifically for this performance for he had originally planned an orchestral accompaniment. That, however, could only be completed later and was eventually premiered in 1853. In a letter to Schumann, Herrmann Langer, the conductor of both world premieres, mentioned 'the wonderful effect which the same has produced' and that, to him, 'the motet was one of the most stimulating and inspiring creations in male-voice literature'.

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